PDF Download Black No MoreBy George S. Schuyler
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Black No MoreBy George S. Schuyler
PDF Download Black No MoreBy George S. Schuyler
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According to Max Disher, an ambitious young black man in 1930s New York, someone of his race has only three alternatives: "Get out, get white, or get along." Incapable of getting out and unhappy with getting along, Max leaps at the remaining possibility. Thanks to a certain Dr. Junius Crookman and his mysterious process, Max and other eager clients develop bleached skin that permits them to enter previously forbidden territory. What they discover in white society, however, gives them second thoughts.This humorous work of speculative fiction was written by an unsung hero of African-American literature. George S. Schuyler (1895-1977) wrote for black America's most influential newspaper, the Pittsburgh Courier, in addition to H. L. Mencken's The American Mercury, The Nation, and other publications. His biting satire not only debunks the myths of white supremacy and racial purity but also lampoons prominent leaders of the NAACP and the Harlem Renaissance. More than a historical curiosity, Schuyler's 1931 novel offers a hilarious take on the hypocrisy and demagoguery surrounding America's obsession with skin color.
- Amazon Sales Rank: #18166161 in Books
- Published on: 1971-06
- Original language: English
- Number of items: 1
- Binding: Paperback
- 224 pages
Amazon.com Review This satirical Harlem Renaissance-era novel by black conservative intellectual George S. Schuyler (1895-1977), who wrote for the Pittsburgh Courier and contributed to the NAACP's influential Crisis magazine, is a hilariously insightful treatise on the absurdities of racial identity. Dr. Junius Crookman, a Harlem-based African American physician, mysteriously returns from Germany with a formula that can transform black people into whites. "It looked," Schuyler deadpans, "as though science was to succeed where the Civil War failed." One of the first to enlist Dr. Crookman's services is an insurance salesman named Max Disher, who as the white Matthew Fisher is now free to pursue the white women who once rejected him and otherwise bask in Euro-American social privilege (including a top position in a hate group called the Knights of Nordica). Schuyler unveils the futility of this electro-chemical form of "passing" through the emptiness the Disher/Fisher character encounters in the white cultural world, which doesn't measure up to the Harlem nightlife--revealing the poison behind the notion of wanting to be something you're not. --Eugene Holley Jr.
From Kirkus Reviews 37575380.X99 Schuyler, George BLACK NO MORE First published in 1931, this scathing satire on race embodies all the controversial notions of its author, the grouchy journalist and essayist Schuyler, a kindred spirit of his mentor and fellow misanthrope, H.L. Mencken. Best know for his dissenting essay, The Negro-Art Hokum, Schuyler (1895-1977) mocked most of the more prominent representatives of the Harlem Renaissance, and asks in this rollicking bit of speculative fiction: What if black people could change themselves to white? Inspired by popular products for skin-lightening, Schuyler imagines the discovery of a process that transforms Negroes into white people, and then watches all hell break loose. When Dr. Junius Crookman promises a three-day makeover, Max Disher, a dapper insurance agent with a taste for yallah gals, thinks of one thingall the ofay girls he can now pursue, especially a snobby cracker who snubbed him in a Harlem night club. For fifty bucks, Max is one of Crookmans first patients and emerges from his Frankenstein-like office with his new pork-colored skin. But Maxs glorious new adventure turns ugly right away: his old friends reject him; his landlady accuses him of no race pride, and worsehe finds white people less courteous and less interesting. The country too grows increasingly hysterical: the South calls for congressional action, and the infrastructure of Negro philanthropy begins to crumble. Scuyler smartly postulates the response of official black leadership, and saves his most damning portraits for characters who represent Garvey, DuBois, and Booker T., all of whom ultimately give in to the new process. Maxs dilemma is simpler: he tries to figure out a way to capitalize off his new identity, and soon becomes the right hand man to the Rev. Givens, the grand poobah of the Knights of Nordica, and eventually marries his daughter, the very same girl from that night in Harlem. One problem remains, the whitening process doesnt pass to babies, so Max lives with the fear that his offspring will be his undoing. Not to worry, though, for events overwhelm all in this increasingly outrageous novel. As the hypocrisies mount, and the number of Negroes diminish, calls for racial purity increase. But the frantic researches into genealogy have an unintended resultand one that Schuyler himself constantly arguedthat most white people have dusky ancestors, or as the Rev. Givens so aptly puts it, I guess were all niggers now. Schuylers miscegenetic ideas on race fuel this well-written look at chromatic democracy, a novel that prefigures both Ray Bradbury and Ralph Ellison. This wild book is much more than an historical curiosity, and its resurrection is a revelation. -- Copyright ©1999, Kirkus Associates, LP. All rights reserved.
Review "One of the great new veins of Negro fiction has been opened by this book--may its tribe increase."--Alain Locke
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